Southern Oaks Plantation and the French Quarter share one New Orleans weekend. Blair and Gustavo flew in from California for Jazz Fest, said vows under plantation light, then took the gown into NOLA streets. Adam Grumbo Films prints that as destination work: Mississippi gold, wrought iron, second line percussion, and faces that still have to win cuts.
Watch: https://www.youtube.com/watch?v=2BxNcd-5saI
Credits from the film description: Southern Oaks Plantation; Adam Grumbo Films; photography by Desirae Marie; hair and makeup by Ingrid (@fixated_hair); jazz by Alica Renee, also known as Bluuwise. No florist or planner named. None invented.
The banner is the Southern Oaks column kiss. Wedding party stacked left and right. Plantation door. Warm sconces. Couple in the center so the venue does not swallow the plot.

Tight, Blair carries the frame. Smile, earring, Gustavo at the edge. A New Orleans print that skips close work is only tourism.

Jazz Fest banners and red streetcars establish the weekend before any aisle. Palm lined New Orleans asphalt. Destination timing is part of the edit.

Steamboat Natchez on the Mississippi. French Quarter skyline. Cathedral on the rim. Environment stills earn their place when the city is half the assignment.

Street jazz under wrought iron. Vintage mic. Alica Renee / Bluuwise in the cut. Sound becomes picture on a French Quarter sidewalk.

Southern Oaks as architecture. Columns. Spanish moss. Lanterns in the oaks. The plantation half of the New Orleans destination sentence.

Vows in profile. Paper in his hands. White florals behind. Same frame couple work at Southern Oaks before the streets get loud.

Daylight stroll past peach shutters. Hands. White boots. French Quarter sidewalk as a walking room.

Cathedral through Spanish moss. Gold on New Orleans. A still that could not be Austin, Dallas, Houston, or San Antonio. Destination proof in one frame.

Second line energy on the sidewalk. Drums. Metal lids. Motion on a French Quarter wall after dark.

Film look between Southern Oaks columns. Lanterns. Embrace. Plantation night as a quiet twin to Bourbon.

Balcony cheer over brick and wrought iron. Guests above a French Quarter street. Height belongs in a NOLA print.

Twirl on Southern Oaks brick. Gown in motion. Columns holding both sides. Dance before the neon chapter.

Carriage chapter. White horse. Red velvet. Couple and child under Southern Oaks string lights. Guests watching from chairs.

Neon French Quarter middle of the street. Full gown. Rolled sleeves. NOLA nightlife as the set, not a backdrop stock clip.

Door kiss at Southern Oaks. Floral wreath. Soft glass light. Quiet beat between river and second line.

Double exposure: Blair and the French Quarter. Cathedral spires in the gold. City inside the portrait.

Bourbon Street percussion. Cymbals and snare. Pink cast on the wall. Jazz Fest weekend as documentary, not decoration.

Dip and kiss on a crowded French Quarter street. Phones up. Confetti down. The epic party cut the title promised.

Natchez docked. Hotel Monteleone lit. Mississippi reflecting sunset. River geography closing the destination loop.

Chandeliers and a raised bouquet at Southern Oaks. Reception blur under plantation crystal. Party still after the streets have spoken.

Adam Grumbo Films works from Austin with Dallas, Houston, and San Antonio on the regular map. New Orleans destination weekends at Southern Oaks and in the French Quarter sit on the same list when the brief is streets, river, and a plantation night that still leaves room for faces.
https://www.adamgrumbofilms.com
719-964-6971
The film:
